Cécile Chaminade

Cécile ChaminadeCécile Louise Stéphanie Chaminade (August 8, 1857 – April 13, 1944) was a French composer and pianist.

Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Savart, Martin Pierre Joseph Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.

Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, the composer of Carmen, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.

She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.

Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.

In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers in this country. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 are to be found in the music libraries of all cultured lovers of piano music. She composed a concertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.

Chaminade was relegated to obscurity for the second half of the 20th Century, her piano pieces and songs mostly forgotten, though her Flute Concertino got a lot of playtime on some classical radio stations in the 1990s. The Concertino was written for a male flautist that Chaminade fell in love with who was planning to marry someone else. She presented the piece to him and he married the other woman later that day.

This article is based on a text from the Etude magazine, prior to 1923, that is in the public domain.

Works
This is a partial list of recordings in the WorldCat database.

Works with Opus number
Op. 3, Scherzo-etude
Op. 4, Caprice-etude
Op. 5, Menuet
Op. 6, Berceuse
Op. 7, Barcarolle
Op. 8, chaconne (1879)
Op. 9, 2 pieces: 1 (G) pièce romantique (1880)2 Gavotte
Op. 10, Scherzando
Op. 11, piano trio #1 (g): 1 allegro; 2 andante; 3 presto leggiero; 4 allegro molto agitato (1881)
Op. 12, pastorale enfantine {arr marcus} (1881)
Op. 18, capriccio for violin and piano (1881)
Op. 19, Le sevillane Ouverture
Op. 21, sonata (c): 1 allegro appassionato; 2 andante; 3 allegro (1881)
Op. 22, Orientale
Op. 23, minuetto (b) (1881)
Op. 24, libellules (Dragon Flies) (1881)
Op. 25, Deux morceaux: 1 duetto; 2 zingara;
Op. 28, étude symphonique (B–) (1883)
Op. 29, sérénade (D) (1884)
Op. 30, air de ballet (G) (1884)
Op. 32, guitare (1885)
Op. 33, Valse caprice (1885)
Op. 35, 6 études de concert: 1 (C) scherzo; 2 (D–)automne; 3 fileuse; 4 Appasionato 5 (F) impromptu; 6 (D) tarantelle(1886)
Op. 34, piano trio #2 (a): 1 allegro moderato; 2 lento; 3 allegro energico (1887)
Op. 36, 2 pieces: 2 pas des cymbales (1887)
Op. 37, 5 Airs de Ballet : 1 danse oriental; 2 Pas des amphores; 3 Pas des echarpes; 4 Callirhöe;5 Danse pastorale(1888)
Op. 38, Marine (1887)
Op. 39, toccata (1887)
Op. 40, Concertpiece for piano and orchestra
Op. 41, air de ballet. pierrette (E–) (1889)
Op. 42, Les Willis,caprice (1889)
Op. 43, gigue (D) (1889)
Op. 50, la lisonjera (G–) (1890)
Op. 51, La livry,air de ballet (1890?)
Op. 52, Capriccio appassionato (1890)
Op. 53, arlequine (F) (1890)
Op. 54, caprice espagnole. lolita (D–) (1890)
Op. 55, 6 pièces romantiques: 6 rigaudon (1890)
Op. 56, Scaramouche (1890)
Op. 57, Havanaise (1891)
Op. 58, Mazurk-Suedoise (1891)
Op. 60, les sylvains (1892)
Op. 61, arabesque (1892)
Op. 66, Studio (1892)
Op. 67, caprice espagnole. la morena (1892)
Op. 73, valse carnavalesque (1894)
Op. 74, Pièce dans le style ancien (1893)
Op. 75, Danse ancienne (1893)
Op. 76, 6 romances sans paroles: 1 souvenance; 2 (E) élévation; 3 idylle; 4 eglogue; 5 chanson brétonne; 6 méditation (1894)
Op. 77, deuxieme vals(1895)
Op. 78, Prelude (1895)
Op. 80, Troisieme valse brillante (1898)
Op. 81, Terpsichore, sexieme air de ballet (1896)
Op. 82, Chanson napolitaine (1896)
Op. 83, Ritournelle (1896)
Op. 84, Trois prèludes melodiques (1896)
Op. 85, Vert-Galant (1896)
Op. 86, romances sans paroles: 1 souvenance; 2 élévation;
Op. 87, 6 pièces humoristiques: 2 sous bois; 3 inquiétude; 4 autrefois; 5 consolation; 6 norwegienne (1897)
Op. 88, Rimembranza (1898)
Op. 89, thème varié (A) (1898)
Op. 90, Legende (1898)
Op. 91, waltz #4 (D–) (1898)
Op. 92, Deuxieme arabesque (1898)
Op. 93, Valse humoristique (1906)
Op. 94, havanaise #2 danse créole (1898)
Op. 95, Trois dances anciennes: 1 passepied; 2 pavane; 3 courante; (1899)
Op. 97, rondeaus for violin and piano (1899)
Op. 98, 6 feuillets d’album: 1 promenade; 2 scherzetto; 3 (D–) élégie; 4 valse arabesque 5 chanson russe; 6 rondo allegre (1900)
Op. 101, l’ondine (1900)
Op. 103, Moment musical (1900)
Op. 104, tristesse (c+) (1901)
Op. 105, divertissement (1901)
Op. 106, Expansion (1901)
Op. 107, Concertino for Flute & Orchestra in D major(1902)
Op. 108, Agitato (1902)
Op. 109, Cinquieme valse (1903)
Op. 110, Novelette (1902)
Op. 111, Souvenir lointains (1911)
Op. 112, sixieme valse, valse-ballet (1904)
Op. 113, Caprice humoristique (1904)
Op. 114, pastorale (1904)
Op. 115, waltz #7 valse romantique (1905)
Op. 116, sous le masque (1905)
Op. 118, étude mélodique (G–) (1906)
Op. 119, valse tendre (F) (1906)
Op. 120, Variations sur un theme original(1906)
Op. 122, 3 contes blues: 2 (1906)
Op. 123, album d’enfants: 2 (A–) intermezzo. pas de sylphes; 4 (F) rondeau; 5 (a) gavotte; 9 (e) orientale; 10 (a) tarantelle (1906)
Op. 124, étude pathetique (b) (1906)
Op. 126, album d’enfants: 1 (C) idylle; 2 (E) aubade; 9 (g) patrouille; 10 (A) villanelle (1907)
Op. 127, 4 poèmes provençales: 2 solitude; 3 (D–) le passé; 4 pêcheurs de nuit (1908)
Op. 130, passacaille (E) (1909)
Op. 134, la retour (1909)
Op. 137, romance (D) (1910)
Op. 139, étude scholastique (1910)
Op. 143, cortège (A) (1911)
Op. 148, scherzo-valse (1913)
Op. 155, au pays dévasté (1919)
Op. 158, danse païenne (1919)
Op. 164, air à danser (1923)
Op. 150, sérénade espagnole (G) (1925)
Op. 165, nocturne (1925)

Works without Opus number
les rêves (1876)
te souviens-tu? (1878)
auprès de ma mie (1888)
voisinage (1888)
nice-la-belle (1889)
rosemonde (1890)
l’anneau d’argent (E–) {accomp} (1891)
plaintes d’amour (1891)
(E–) l’anneau d’argent (1891)
viens, mon bien-aimé! (1892)
l’amour captif (1893)
ma première lettre (1893)
malgré nous! (1893)
si j’étais jardinier (1893)
(G) l’été (1894)
mignonne (1894)
sombrero (1894)
villanelle (1894)
espoir (1895)
ronde d’amour (1895)
chanson triste (1898)
mots d’amour (1898)
alleluia (1901)
écrin! (1902)
bonne humeur! (1903)
menuet (1904)
la lune paresseuse (1905)
je voudrais (1912)
attente. au pays de provence (1914)