Jeanne Demessieux

Jeanne Marie-Madeleine Demessieux (February 13, 1921–November 11, 1968), was a French organist, pianist, composer, and pedagogue.

Biography
Jeanne Demessieux was born in Montpellier, in southern France. She was the second child of Marie-Madeleine Mézy and Étienne Demessieux. After taking private piano lessons with her elder sister, Yolande Demessieux, Jeanne entered the Montpellier Conservatory in 1928. Four years later, in 1932, she obtained first prizes in solfège and piano. The same year the Demessieux family relocated to Paris, in order to allow Jeanne to pursue further musical studies. In 1933 Jeanne Demessieux was enrolled as student at the Paris Conservatory; studying piano with Simon Riera and Magda Tagliaferro, harmony with Jean Gallon, counterpoint and fugue with Noël Gallon, and composition with Henri Büsser. She was also appointed titular organist at St. Esprit in Paris in 1933, a post she held for 29 years. Between 1936 and 1939 she studied organ privately with Marcel Dupré, whose organ class at the Conservatory she joined in 1939. After receiving a first prize in organ performance and improvisation in 1941, Jeanne Demessieux studied five more years with Dupré in Meudon, before she played her début recital at Salle Pleyel in Paris in 1946. This was the beginning of her career as an international recitalist. She played more than 700 concerts in Europe and the United States. Jeanne Demessieux had a prodigious memory: she had memorized more than 2,500 works, including the complete organ works of Johann Sebastian Bach, César Franck, Franz Liszt, Felix Mendelssohn Bartholdy and Marcel Dupré.

Jeanne Demessieux made numerous recordings including the complete organ works of César Franck, which was awarded the Grand Prix du Disque in 1960.

In 1962, Jeanne Demessieux was appointed titular organist at La Madeleine in Paris. Additionally, she was professor of organ at Nancy (1950–52), and the Royal Conservatory in Bruxelles, Belgium (1952–68). Jeanne Demessieux, who always had a fragile health, was obliged to limit her performance activities during the mid-1960s. In 1967 she signed a contract with the Decca label for a complete recording of Olivier Messiaen's organ works. Due to her untimely death in 1968 the project was never realized.

After several months of illness, Jeanne Demessieux died on November 11, 1968, due to cancer, in her Parisian apartment. She left a large catalogue of compositions. Aside from her eight organ compositions, she wrote pieces for piano, numerous songs and choir works including an oratorio, "Chanson de Roland," and orchestral works. Only one third of her catalogue, which consists of more than 30 compositions, has been published to date.

The Dutch label Festivo has re-released several recordings of Jeanne Demessieux, including her recording of César Franck's complete organ works from 1958, on five CDs.

Compositions

Organ Solo
Nativité, op. 4 (1943)
Six Études, op. 5 (1944)
Pointes
Tierces
Sixtes
Accords alternés
Notes répétées
Octaves
Sept Méditations sur le Saint-Esprit, op. 6 (1945–47)
Veni Sancte Spiritus
Les Eaux
Pentecôte
Dogme
Consolateur
Paix
Lumière
Triptyque, op. 7 (1947)
Prélude
Adagio
Fugue
Twelve Choral-Preludes on Gregorian Chant Themes, op. 8 (1947)
Rorate Caeli
Adeste Fideles
Attende Domine
Stabat Mater
Vexilla Regis
Hosanna Filio David
O Filii
Veni Creator Spiritus
Ubi Caritas
In Manus Tuas
Tu Es Petrus
Domine Jesu
Andante (Chant Donné, 1953)
Te Deum, op. 11 (1958)
Répons pour les Temps Liturgiques (1962–66)
Répons pour le Temps d’Advent
Répons pour le Temps de Pâques
Répons pour le Temps du Saint-Sacrement
Répons pour le Temps du Rosaire
Prélude et Fugue en Ut, op. 13 (1964)

Organ and Orchestra
Poème, op. 9 (1949)

Piano Solo
Berceuse (1926)
Suite (1938)
Prélude
Scherzetto
Menuet
Toccata
Étude in F# major (1938)
Trois Préludes (1939)
D# minor
B minor
D minor

Songs (with Piano)
Le Moulin (1937)
Soudainement contre les Vitres (1940)
Sonnet de Michel-Ange (1949)
Action de grâce (not dated)
Le Vase brisé (not dated)

Chamber Music
Sonata for violin and piano (1940)
Ballade, op. 12, for horn and piano (1962)
String quartet (not dated)

Vocal Music
Cantate pour le Jeudi Saint for chorus, soloists, and organ; text by Félix Raugel (1938)
Barques Célestes for three women’s voices a capella (1938)
Consolamini for five mixed voices a capella (1950)
Chanson de Roland for chorus, mezzo soprano, and orchestra (1951–56)

Miscellaneous
Two symphonic movements for orchestra (1941)
George Frideric Handel: Cadences for Organ Concertos Nos. 1 and 2
Franz Liszt: Funérailles, arranged for organ solo